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- Originaltitel : The Day After Tomorrow
- Film titel i ditt land : The Day After Tomorrow
- År av film : 2004
- Genrer av film : Action, Äventyr, Science Fiction, Thriller,
- Status för film : Released
- Släppdatum för film : 2004-05-26
- Företag av film : Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema,
- Länder film : United States of America,
- Språk film : English, 日本語, Français, العربية, Español,
- Varaktighet film : 124 Min
- Genomsnittlig röst av film : 6.2
- Youtube ID för filmen : Ze8Gshk53Y8
- Översättning av film : TH,ID,FR,SV,DE,RU,TR,FI,ZH,CS,PT,HU,PL,NO,SR,HE,EL,UK,KO,PT,CA,RO,EN,IT,NL,DA,BG,JA,FR,ES,ZH,
- Aktörer som film :Richard Zeman (Flight Director), Perry King (President Blake), Austin Nichols (J.D.), Nassim Sharara (Saudi Delegate), Emmy Rossum (Laura Chapman), Ian Holm (Terry Rapson), Michel 'Gish' Abou-Samah (Saudi Translator), Christian Tessier (Aaron), Adrian Lester (Simon), John Maclaren (Veteran Scientist), Nestor Serrano (Gomez), Kenneth Welsh (Vice President Becker), Russian Astronaut), Sasha Roiz (Parker), Arjay Smith (Brian Parks), Japanese Astronaut), Mimi Kuzyk (Secretary of State), Sela Ward (Dr. Lucy Hall), Glenn Plummer (Luther), Jay O. Sanders (Frank Harris), Dennis Quaid (Jack Hall), Carl Alacchi (Venezuelan Delegate), Jake Gyllenhaal (Sam Hall), Kenneth Moskow (Bob), Vitali Makarov (Yuri, Dash Mihok (Jason Evans), Christopher Britton (Vorsteen), Tamlyn Tomita (Janet Tokada), Russell Yuen (Hideki
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The Day After Tomorrow är den idealiska film tillverkats av Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, genom användning av en beskrivning av filmen är "Vad skulle hända med världen om växthuseffekten och den globala uppvärmningen fortsatte i sådan utsträckning att de en dag resulterade i en världsomfattande katastrof som flertaliga orkaner, tromber, jordbävningar, tidvågor, översvämningar och början på en ny istid?". Filmen är producerad med utmärkt grafisk kvalitet, bäst ljudkvalitet och bäst starring aktörer.
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Location Manager : Céline Daignault, Sound Designer : Ann Scibelli, Camera Operator : Georgia Packard, Supervising Sound Editor : Larry Kemp, Orchestrator : Frank Bennett, Set Designer : Alex Touikan, Author : Jeffrey Nachmanoff, Art Direction : Gerald Sullivan, Sound Recordist : Chris Walmer, Costume Supervisor : Kenn Smiley, Steadicam Operator : Gary L. Camp, Director : Roland Emmerich, Original Music Composer : Harald Kloser, Visual Effects Producer : Michael Meagher, Rigging Gaffer : Gilles Fortier, Editor : David Brenner, Construction Coordinator : Alain Brochu, Visual Effects Supervisor : Greg Strause, Line Producer : Tavin Marin Titus, First Assistant Editor : Quincy Z. Gunderson, Visual Effects Supervisor : Colin Strause, Second Unit Cinematographer : Tom Yatsko, Sound Effects Editor : Michael Kamper, Post Production Supervisor : Jeffrey Harlacker, Set Designer : Caroline Alder, Visual Effects Producer : Jody Echegaray, Visual Effects Producer : Todd Isroelit, Camera Technician : Steven J. Winslow, Associate Producer : Kim H. Winther, Visual Effects Supervisor : Karen E. Goulekas, Executive Visual Effects Producer : Marc Sadeghi, Camera Operator : Bill O'Drobinak, Set Decoration : Paul Hotte, Sound Recordist : Tim Gomillion, Digital Compositors : Sean Apple, Craft Service : Chris Winn, Key Hair Stylist : Janis Clark, Post Production Assistant : Jeff Schweikart, Visual Effects Supervisor : Richard Britton, Helicopter Camera : Steve Hertler, Visual Effects Supervisor : Greg Anderson, Rigging Gaffer : Frank Dorowsky, Art Direction : Réal Proulx, First Assistant Editor : Robert Berman, Driver : Chris Haynes, Visual Effects Editor : Nicolas Anastassiou, Sound Designer : Randy Kelley, CG Supervisor : Dagan Potter, Makeup Artist : Elisabeth Fry, Second Unit Cinematographer : Anna Foerster, Producer : Mark Gordon, Color Timer : Michael Eaves, Makeup Effects : Adrien Morot, Utility Sound : Schavaria Reeves, Unit Publicist : Joe Everett, Third Assistant Director : Paul Drouin, Assistant Production Coordinator : Guylaine Boucher, Set Medic : Jean Marchand, Set Designer : Karl J. Martin, Production Manager : Daniel Auclair, Hairstylist : Réjean Forget, Director of Photography : Ueli Steiger, 3D Supervisor : Rina Strause, Visual Effects Coordinator : Erica Headley, Production Design : Barry Chusid, Set Decoration Buyer : Stacy Weddington, Construction Coordinator : Bruce Di Valerio, ADR & Dubbing : Derek Casari, Dolly Grip : Alain Masse, Hairstylist : Sandy DeBlasio, Costume Supervisor : Robert Q. Mathews, Pre-Visualization Supervisor : Daniel Fort, Visual Effects Supervisor : Jerry Spivack, Sound Recordist : Jon S. Trebilcock, CG Supervisor : Sean Andrew Faden, Executive Producer : Ute Emmerich, Visual Effects Producer : Mike Chambers, Set Designer : Frédéric Amblard, 24 Frame Playback : Marie-Pierre Tétreault, Set Costumer : Arlynn Abseck, Lighting Supervisor : Chris Wells, Stunt Coordinator : Charlie Brewer, Casting Associate : Scott David, Construction Coordinator : Michel Brochu, Sculptor : Lucie Fournier, Lighting Technician : Stéphane Byl, Stunts : Marcello Bezina, Script Supervisor : Sophie Boyer, Visual Effects Producer : Casey Conroy, Scenic Artist : Donald Beaulieu, Producer : Roland Emmerich, Construction Coordinator : Rejean Brochu, First Assistant Director : Kim H. Winther, Makeup Effects : C.J. Goldman, Co-Producer : Thomas M. Hammel, Steadicam Operator : Francois Archambault, Visual Effects Producer : Petra Holtorf, 3D Animator : Jeremy F. Butler, Boom Operator : Timothy P. Salmon, Visual Effects : Michael Leung, Casting Assistant : Bryan Riley, Casting : Andrea Kenyon, Set Designer : Steve Cooper, Conductor : Blake Neely, Painter : Gloria Ciraolo, Dialogue Editor : James Matheny, Property Master : Denis Hamel, Video Assist Operator : Julie Garceau, Gaffer : Logan Leabo, Supervising Art Director : Claude Paré, Unit Manager : Paul Boutin, CG Supervisor : David Prescott, Camera Loader : Charlie Newberry, Modeling : Yoshiya Yamada, Casting : April Webster, Visual Effects Editor : Michael Cavanaugh, I/O Supervisor : Ryan Beadle, Creature Technical Director : Vijay Myneni, Original Music Composer : Thomas Wanker, Digital Intermediate : Lorene Simpson, First Assistant Sound Editor : Victor Ray Ennis, Techno Crane Operator : Richard Boucher, Sound Recordist : Dennis Rogers, Digital Effects Supervisor : Bryan Grill, Stunt Coordinator : Branko Racki, Location Manager : Kenneth E. Fix, Makeup Effects : George Tucci, Executive Producer : Kelly Van Horn, Visual Effects Supervisor : Conny Fauser, Camera Operator : Francois Archambault, Rigging Grip : Richard Complaisance, Assistant Property Master : Eric Bardin, Visual Effects Supervisor : Remo Balcells, Lighting Artist : David B. Menkes, Supervising Sound Editor : Mark P. Stoeckinger, Music Editor : Emanuele Arnone, Set Production Assistant : Mariana Acuña Acosta, Carpenter : Jane Kilkenny, Executive In Charge Of Production : Vanessa R. Jordan, 3D Artist : Zack Judson, Construction Foreman : Eric Lafrance, Transportation Captain : John Bober, Visual Effects : Diane Macke, Transportation Co-Captain : Spiro Tsovras, Negative Cutter : Gary Burritt, Assistant Art Director : Camille Parent, Makeup Artist : Sharon Ilson, Digital Producer : Andra Bard, Set Decoration : Victor J. Zolfo, ADR Editor : Kerry Dean Williams, Special Effects Supervisor : Louis Craig, Key Grip : Marc Andrus, Roto Supervisor : Stephanie Taubert, Animation Supervisor : Danny Gordon Taylor, Utility Stunts : Nick Brandon, Dialogue Editor : Daniel S. Irwin, Visual Effects Supervisor : Rocco Passionino, Camera Operator : Peter Hutchison, Leadman : David M. Milstien, Associate Producer : Lawrence Inglee, Key Makeup Artist : Kathryn Casault, Musician : Maria Newman, Systems Administrators & Support : Joe Ardent, Key Costumer : Valerie T. O'Brien, Special Effects : Neil Corbould, Transportation Coordinator : Daniel Matthews, Best Boy Electric : Edison Jackson, Visual Effects Supervisor : Chris Watts, Art Direction : Martin Gendron, Set Designer : Hugo Santiago, Camera Operator : Eric Goethals, Sound Designer : Harry Cohen, Visual Effects Supervisor : Ian Hunter, Visual Effects Producer : Raoul Bolognini, Visual Effects Art Director : Alexander Laurant, Sequence Leads : Jason Iversen, Matchmove Supervisor : Alia Agha, Second Assistant Director : Erik Ajduk, Sound Re-Recording Mixer : Doug Hemphill, Grip : Joost Clerinx, Production Sound Mixer : Douglas J. Schulman, Script Supervisor : Kim Berner, Art Department Assistant : Una Martin, Technical Supervisor : Irfan Celik, Art Direction : Michele Laliberte, Propmaker : Patrice Jacques, Hairstylist : Kathryn Powell, Still Photographer : Kerry Hayes, Camera Operator : Alfonso Maiorana, Pilot : Al Cerullo, Chief Lighting Technician : Jean Courteau, Production Accountant : Manon Lapointe, Sound Mixer : David O. Daniel, Loader : Amelie Duceppe, Location Manager : Lily Flaschner, Art Department Coordinator : Nancy A. King, Art Direction : Tom Reta, Set Dresser : Louis Dandonneau, Camera Operator : Gary L. Camp, Production Coordinator : Danielle Boucher, Electrician : Paul Postal, Software Engineer : Chamberlain Fong, Casting : Randi Wells, CG Supervisor : Andrew Waisler, Sound Designer : Alan Rankin, First Assistant Camera : Michel Bernier, CG Supervisor : Hans Uhlig, Finance : Linda Strause, Visual Effects : Kristen Branan, Property Master : Claire Alary, Sound Engineer : John Bires, Author : Roland Emmerich, Set Designer : Stephanie Gilliam, Local Casting : Cate Praggastis, Stand In : Martin Brisebois, Costume Design : Renée April, Costume Coordinator : Lyse Pomerleau, Music Editor : Bob Beher, Transportation Coordinator : Javier Gunther, Storyboard : Timothy Burgard, Sculptor : Andrew Semple, Executive Producer : Stephanie Germain, Unit Production Manager : Joe Dishner, Makeup Effects : Sylvania Yau, Foley : Glenn T. Morgan, Production Illustrator : Michael Meier, Set Designer : Vincent Gingras-Liberali, Still Photographer : Takashi Seida
Ja, nu du kan se film avseende The Day After Tomorrow 100% längd och har den anslutning till detta video The Day After Tomorrow i högsta kvalitet.
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